3 reasons to see the «cave of forgotten dreams» of Werner Herzog

20 Oct 3 reasons to see the «cave of forgotten dreams» of Werner Herzog

Hertzog was elected by the Ministry of Culture of France for filming in the caves of the Show, where cave paintings were discovered in amazing safety, although they were made 32 thousand years ago. The presence of a person and lighting equipment can damage artifacts, so other shootings were not allowed. Hertzogu, modern classics https://meilleurvoyanceamourrichesse.com/tous-les-secrets-du-preservatif/, special confidence was provided.

1. Abandoning the author’s ego. Hertzog was elected by the Ministry of Culture of France for filming in the caves of the Show, where cave paintings were discovered in amazing safety, although they were made 32 thousand years ago. The presence of a person and lighting equipment can damage artifacts, so other shootings were not allowed. Hertzogu, modern classics, special confidence was provided. And he took off, even in 3D, so that we would see what our ancestors lived. Well, in general, everything. We saw. From the Herzog, who removed the “agirre, the anger of God” and the “man-gr”, who has been engaged in the study of the boundary of humanity and human in a person, you are waiting for more, if you want, existential. But the noblest feeling led Hertzog – he shot the film not to show himself, but for people to watch. And when you look, the three -dimensional screen literally breathes nobility.

Werner Herzog, the legendary German director, author of art and documentary films, for one of which is Fitzcaraldo (1982) awarded the Cannes Festival award.

2. 3D as a moral category. Usually the increased entertainment reported by the film with this technology has the goal of a purely entertaining. But in Hertzog it becomes a moral, enlightening. And, peering into the drawings on the rocky breed, you suddenly very clearly understand that you just need to see the world as clearly as the authors of those drawings have seen-as a mysterious, but a great place, requiring not conquest, but to learn.

3. Our contemporaries. They are in the film, and it is in some of them that Hertzog sees the continuation of those who created 30 thousand years ago. He talks with a poorly hidden amazement with the old archaeologist and with the young guardian of the cave, in the past circus … And although he does not allow any author’s tricks, we see that eternal gene of creative recklessness, which, perhaps, created a person.